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At the Feet of The Mother

Livings Words of the Masters

The Miracle for Which Our Life Was Made

A fiery stillness wakes the slumbering cells,
A passion of the flesh becoming spirit,
And marvellously is fulfilled at last
The miracle for which our life was made.

A flame in a white voiceless cupola
Is seen and faces of immortal light,
The radiant limbs that know not birth and death,
The breasts that suckle the first-born of the Sun,
The wings that crowd thought’s ardent silences,
The eyes that look into spiritual Space.

Our hidden centres of celestial force
Open like flowers to a heavenly atmosphere;
Mind pauses thrilled with the supernal Ray,
And even this transient body then can feel
Ideal love and flawless happiness
And laughter of the heart’s sweetness and delight
Freed from the rude and tragic hold of Time,
And beauty and the rhythmic feet of the hours.

This in high realms touches immortal kind;
What here is in the bud has blossomed there.

[Savitri: Book Two Canto 12]

Art is a Living Harmony and Beauty

Art is a living harmony and beauty that must be expressed in all the movements of existence. This manifestation of beauty and harmony is part of the Divine realisation upon earth, perhaps even its greatest part.

For, from the supramental point of view beauty and harmony are as important as any other expression of the Divine. But they should not be isolated, set up apart from all other relations, taken out from the ensemble; they should be one with the expression of life as a whole. People have the habit of saying, “Oh, it is an artist!” as if an artist should not be a man among other men but must be an extraordinary being belonging to a class by itself, and his art too something extraordinary and apart, not to be confused with the other ordinary things of the world. The maxim, “Art for art’s sake”, tries to impress and emphasise as a truth the same error. It is the same mistake as when men place in the middle of their drawing-rooms a framed picture that has nothing to do either with the furniture or the walls, but is put there only because it is an “object of art”.

[The Mother: CWM 03]

I Bow to Thee

April 28, 1914

Thou art the Master of the world; Thy law unfolds before us with precision, and as I thought or rather as Thou didst make me understand it before we left Paris, it is the best—what could best serve Thy work in the world—that has happened.

In beatitude I communed with Thy puissance dominating over darkness and error, shining like a marvellous and eternal dawn above the mud of hypocritical force and its apparent success. Everything has been brought to light, we have taken one more step towards the full light of sincerity, and this full light will be the first stage of Thy reign upon earth.

O Thou inconceivable splendour, Thou conqueror of all ignorance, victor over all egoism, Thou who dost illumine all hearts and enlighten all minds, Thou who art Knowledge and Love and Being, let me live constantly in the consciousness of Thy unity, let me always conform to Thy Will.

With reverent and silent devotion I bow to Thee as the sovereign Lord of the world.

[Prayers and Meditations of the Mother]

All Discloses the Unknown Beloved

Here too its bud is born in human breasts;
Then by a touch, a presence or a voice
The world is turned into a temple ground
And all discloses the unknown Beloved.

Here too its bud is born in human breasts;
Then by a touch, a presence or a voice
The world is turned into a temple ground
And all discloses the unknown Beloved.

In an outburst of heavenly joy and ease
Life yields to the divinity within
And gives the rapture-offering of its all,
And the soul opens to felicity.

A bliss is felt that never can wholly cease,
A sudden mystery of secret Grace
Flowers goldening our earth of red desire.

All the high gods who hid their visages
From the soiled passionate ritual of our hopes,
Reveal their names and their undying powers.

[Savitri: Book Two Canto 12]

An Agent and a Channel

There is nothing to prevent a Yogi from being an artist or an artist from being a Yogi. But when you are in Yoga, there is a profound change in the values of things, of Art as of everything else; you begin to look at Art from a very different standpoint. It is no longer the one supreme all-engrossing thing for you, no longer an end in itself. Art is a means, not an end; it is a means of expression. And the artist then ceases too to believe that the whole world turns round what he is doing or that his work is the most important thing that has ever been done. His personality counts no longer; he is an agent, a channel, his art a means of expressing his relations with the Divine. He uses it for that purpose as he might have used any other means that were part of the powers of his nature.

[The Mother: CWM 3]

I Trust in Thee, O Lord

April 23, 1914

All rules have vanished, the regularity of the discipline is gone, all effort has ceased; not by my own will nor, I believe, through negligence, but because circumstances are working together to bring this about. It seems that this inner will, always alert, like a steersman holding the rudder, has evaporated or fallen asleep, and my being is only something peacefully surrendered which lets itself be carried along by the stream. Till now, it seems to me, the course has always been in a straight line, and I would keep the hope that it is Thou, O Lord, who guidest the stream; but surely if I have erred at times through too great a rigidity, a lack of suppleness and spontaneity, it could very well be that now I err through the opposite excess. I have come to accept peacefully the state I am in and to tell myself that Thou wilt bestow upon me the true Consciousness, the absolute Consciousness when Thou thinkest it best.

I look at all this changing world as a game unfolding itself, and I take part in this game with the same energy and conviction with which I would if I believed it real and important. All this is very new. But what is certain is that never before were my mind and heart in so complete a repose. What will come out of that, I do not know. But I trust in Thee, O Lord; Thou knowest the best way of using and developing Thy instrument….

[Prayers and Meditations of the Mother]

The Heavens of the Ideal Mind

At either end of each effulgent stair
The heavens of the ideal Mind were seen
In a blue lucency of dreaming Space
Like strips of brilliant sky clinging to the moon.

On one side glimmered hue on floating hue,
A glory of sunrise breaking on the soul,
In a tremulous rapture of the heart’s insight
And the spontaneous bliss that beauty gives,
The lovely kingdoms of the deathless Rose.

Above the spirit cased in mortal sense
Are superconscious realms of heavenly peace,
Below, the Inconscient’s sullen dim abyss,
Between, behind our life, the deathless Rose.

Across the covert air the spirit breathes,
A body of the cosmic beauty and joy
Unseen, unguessed by the blind suffering world,
Climbing from Nature’s deep surrendered heart
It blooms for ever at the feet of God,
Fed by life’s sacrificial mysteries.

[Savitri: Book Two Canto 12]

All is from the Divine

If the Divine that is all love is the source of the creation, whence have come all the evils that abound upon earth?

All is from the Divine; but the One Consciousness, the Supreme has not created the world directly out of itself; a Power has gone out from it and has descended through many gradations of its workings and passed through many agents. There are many creators or rather “formateurs”, form-makers, who have presided over the creation of the world. They are intermediary agents and I prefer to call them “Formateurs” and not “Creators”; for what they have done is to give a form and turn and nature to matter. There have been many, and some have formed things harmonious and benignant and some have shaped things mischievous and evil. And some too have been distorters rather than builders, for they have interfered and spoiled what was begun well by others.

[The Mother: CWM 3]

I Bow to Thee

April 20, 1914

After having hoped so much, after having believed that my outer being was at last to become an instrument adapted to Thy purpose, after feeling hopeful that I would at last be delivered from this obscure and cumbersome “self”, I feel I am as far from the goal as before, as ignorant, as egoistic as I was before this great expectation. And the path stretches out once again, interminable across the fields of inconscience. The sublime door has closed again and I find myself still on the threshold of the sanctuary without being able to enter within. But I have learnt to look at everything with a smile and a tranquil heart. I ask only this of Thee, O my divine Master, not to let me make any mistakes; even if the instrument is still condemned for a time to unconsciousness, grant that it may let itself be guided faithfully and docilely by Thy divine law.

I bow to Thee, O Lord, with a deep and pure devotion. Oh! Be the sovereign Master of all hearts.

[Prayers and Meditations of the Mother]