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At the Feet of The Mother

Material Paradise

All is a miracle of symmetric charm,
A fantasy of perfect line and rule.

There all feel satisfied in themselves and whole,
A rich completeness is by limit made,
Marvel in an utter littleness abounds,
An intricate rapture riots in a small space:
Each rhythm is kin to its environment,
Each line is perfect and inevitable,
Each object faultlessly built for charm and use.

All is enamoured of its own delight.

Intact it lives of its perfection sure
In a heaven-pleased self-glad immunity;
Content to be, it has need of nothing more.

Here was not futile effort’s broken heart:
Exempt from the ordeal and the test,
Empty of opposition and of pain,
It was a world that could not fear nor grieve.

It had no grace of error or defeat,
It had no room for fault, no power to fail.

Out of some packed self-bliss it drew at once
Its form-discoveries of the mute Idea
And the miracle of its rhythmic thoughts and acts,
Its clear technique of firm and rounded lives,
Its gracious people of inanimate shapes
And glory of breathing bodies like our own.

Amazed, his senses ravished with delight,
He moved in a divine, yet kindred world
Admiring marvellous forms so near to ours
Yet perfect like the playthings of a god,
Deathless in the aspect of mortality.

In their narrow and exclusive absolutes
The finite’s ranked supremacies throned abide;
It dreams not ever of what might have been;
Only in boundaries can this absolute live.

In a supremeness bound to its own plan
Where all was finished and no widths were left,
No space for shadows of the immeasurable,
No room for the incalculable’s surprise,
A captive of its own beauty and ecstasy,
In a magic circle wrought the enchanted Might….

A perfect picture in a perfect frame,
This faery artistry could not keep his will:
Only a moment’s fine release it gave;
A careless hour was spent in a slight bliss.

Our spirit tires of being’s surfaces,
Transcended is the splendour of the form;
It turns to hidden powers and deeper states.

So now he looked beyond for greater light.

His soul’s peak-climb abandoning in its rear
This brilliant courtyard of the House of Days,
He left that fine material Paradise.

His destiny lay beyond in larger Space.

[Savitri: Book 2 Canto 2]

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I have objected in the past to Vairagya of the ascetic kind and the tamasic kind and by the tamasic kind I mean that spirit which comes defeated from life.